Objects appearing in the scenes of life in the video, including Mongyudowondo painting (which constitutes the main narrative of Dream) and Kazimir Malevich’s Arkhitekton Gota, Jean-Francois Millet’s The Angelus, Paul Klee’s Above Mountain Summit, and Auguste Rodin’s The Gates of Hell, are reborn as completely different entities or creatures in the text messages exchanged with an anonymous interlocutor, rather than simply imitating the original. Arkhitekton, which rises up against the background river in the video, is portrayed in the exhibition hall as a “vertical spirit soaring from the Earth” which is created as memories of sadness and fear,and are reified over a long period of time. This shows the outline of how the latent thoughts and minds in each person's unconscious gather, creating and generating utopian attempts and projects, while implying their planned decline simultaneously. Meanwhile, the paintings of Millet and Klee hanging in the empty Gosiwon room are not unlike antiques that tell the story of a frozen time, and they are introduced as “creatures living in the black hole.” In a black hole where space-time is distorted, the square creature of “painting” makes us think about the existence of art in the space of each individual's life and everyday language. Also, as people who are consumed as instruments of capitalist society are depicted like asteroids floating in space at Guui Station in the video, asteroids are referred to as “electronic bugs” who were forced to work mechanically on the planet Earth two billion years ago in the text message. As such, the main video and objects of   Dream, and the fiction delivered through familiar digital language, are a medium that intersects with the viewer's world, highlighting the scars of the harsh reality. 

Dream shows that the sacrifices of others we have forgotten, the weight of hard work and life that each individual has to bear, and the proximity of the hell from the reality. Just as the projects of utopia that were never realized are just a daydream, the Mureungdowon described in Dream is full of scratches.